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检索条件"主题词=Theatricality"
154 条 记 录,以下是1-10 订阅
排序:
The Multiple Lives of Billy Waters: Dangerous Theatricality and Networked Illustrations in Nineteenth-Century Popular Culture
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Nineteenth Century Theatre and Film 2019年 第1748-3727期nctd卷 161-189页
Billy Waters (c. 1780–1823); the ‘King of the Beggars’; was a London street-performer and a well-known figure in early nineteenth-century popular culture; yet despite this he has received no sustained critical or c... 详细信息
来源: SAGE期刊 评论
“The instant of waking from the nightmare”: Emergence theory and postcolonial experience in Season of Migration to the North
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Journal of Postcolonial Writing 2016年 第6期52卷 687-699页
作者: Jay Rajiva Department of English Georgia State University Atlanta GA USACorrespondencejrajiva@gsu.edu
This article positions agency as a necessarily lacunal aspect of Tayeb Salih’s Season of Migration to the North. By allowing the Theatricality of doubling and metaphor to overdetermine Mustafa’s narrative, the novel... 详细信息
来源: T&F期刊 评论
Expo afterlife: corporate performance and capitalist futurity in the Carousel of Progress
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Women & Performance: a journal of feminist theory 2017年 第3期27卷 316-333页
作者: Li Cornfeld Communication Studies McGill University Montreal Quebec CanadaCorrespondencelisa.cornfeld@mail.mcgill.ca
This article discusses a theatrical spectacle created by Walt Disney and General Electric for the 1964 New York World’s Fair that has run for the last five decades: the Carousel of Progress, a history pageant that st... 详细信息
来源: T&F期刊 评论
Reading Wilson Harris with Gilles Deleuze: Carnival, or the novel as theatrical space
Journal of Commonwealth Literature
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Journal of Commonwealth Literature 2018年 第2期55卷 294-308页
作者: Allen-Paisant J. University of Leeds UK United Kingdom
This article is an attempt at reading Wilson Harris with Gilles Deleuze, considering how the latter’s writings on the image might produce a fresh understanding of Harris’s art of fiction. To do this, I highlight the... 详细信息
来源: ebsco(ASP/aph) 评论
Vsevolod Meyerhold: actor as the texture of theatre
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Stanislavski Studies 2016年 第2期4卷 175-184页
作者: Anna Shulgat The Stanislavski Centre Rose Bruford College of Theatre and Performance Sidcup Kent UKCorrespondenceanni_vers@yahoo.com annivers@gmail.com
Vsevolod Meyerhold’s name has become the synonym of Theatricality, the sheer poetry of theatre, totally independent from literature, the perfection of the form and the ultimate expression of the director’s will and ... 详细信息
来源: T&F期刊 评论
From Shrine to Stage: Inner Space and the Curtain in Jane Eyre
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Bronte Studies 2009年 第2期34卷 107-116页
作者: BORIE, CHARLOTTE borie@univ-tlse2.fr French Lectrice St John''s College Cambridge
Jane Eyre is punctuated by the figure of the curtain, the role and value of which constantly change and adapt to the phases of Jane's progress towards the knowledge of her own identity. Modulating the value of the inn... 详细信息
来源: EBSCOASC期刊 EBSCOASC期刊 T&F期刊 ebsco(ASP/aph) 评论
Destiny, Theatricality and identity in contemporary European cinema
New Cinemas: Journal of Contemporary Film
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New Cinemas: Journal of Contemporary Film 2006年 第3期4卷 159-171页
作者: Canning, Elaine e.canning@swansea.ac.uk Swansea University
This article explores ten years of contemporary Spanish cinema (1996–2006) and investigates how Spanish cinema, in line with European film of this period, manipulates and integrates theatrical components to reinvent ... 详细信息
来源: EBSCOASC期刊 EBSCOASC期刊 ebsco(ASP/aph) 评论
CONTRE LA MIMESIS. THÉÂTRE QUI RECOMPOSE DE MANIÈRE PARADISIAQUE
Diversité et Identité Culturelle en Europe (DICE)
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Diversité et Identité Culturelle en Europe (DICE) 2017年 第1期14卷 105-126页
作者: BERECHET, Lăcrămioara Universitatea „Ovidius” Constanța
The present study approaches two plays of Mircea Eliade, Iphigenia and People and Stones (Oameni și pietre).The mythical theme that builds the dramatic narrativity of the first play analyzes the cosmological sacrifice... 详细信息
来源: ebsco(ASP/aph) 评论
Locating Theatricality on Stage and Screen: Rescuing Performance Practice and the Phenomenon of Fifteen Strings of Cash (Shiwu guan; 1956)
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CHINOPERL 2017年 第1期36卷 46-71页
作者: Anne Rebull University of Chicago USACorrespondenceanner@uchicago.edu View further author information
Theatricality, or an aesthetics of exaggeration, is the highlight and defining characteristic of the stage in xiqu (indigenous Chinese drama). When Maoist art fell under the general aegis of socialist realism, however... 详细信息
来源: T&F期刊 评论
Polemical and theatrical translation in interludes
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Cahiers élisabéthains 2017年 第1期92卷 5-18页
作者: Peter Happé University of Southamptonph7@soton.ac.uk University of Southampton
This article examines changes to source texts of three English interludes: the anonymous Everyman; John Heywood’s Johan Johan; and Jack Juggler (attributed to Nicholas Udall). It considers the differing religious con... 详细信息
来源: SAGE期刊 评论